These images were made across Norway during winter. They are not interested in the spectacular. They look instead at the unremarkable light that survives in the dark: a farmhouse window, an open barn door, a petrol station standing alone in the snow. Shot on medium format and 35mm colour film, the work moves between the intimate and the indifferent. A house that glows from inside suggests life without revealing it. A public toilet illuminated in blue twilight holds the same formal weight as a manor house by the fjord. The series is interested in shelter as a fact, and in what the light inside it communicates to whoever is outside, looking in.